图片文件尺寸 : 4625 x 3516px
Jean-Léon GéRôme的《伊斯坦布尔Rüstem Pasha清真寺》-让·莱昂·杰罗姆
Rüstem Pasha Mosque, Istanbul--让·莱昂·杰罗姆 (法国, 1824-1904)
图片文件尺寸 : 4625 x 3516px
Jean-Léon GéRôme的《伊斯坦布尔Rüstem Pasha清真寺》-让·莱昂·杰罗姆
Rüstem Pasha Mosque, Istanbul--让·莱昂·杰罗姆 (法国, 1824-1904)
图片文件尺寸 : 4625 x 3516px
Jean-Léon GéRôme的《伊斯坦布尔Rüstem Pasha清真寺》-让·莱昂·杰罗姆
伊斯坦布尔Rüstem Pasha清真寺-让·莱昂·杰罗姆 (法国, 1824-1904)
图片文件尺寸 : 3460 x 4982px
“Yuki Somei的新声音-Yûki Somei
Nieuwe stem--Yûki Somei (Japanese, 1875-1957)
材质 : Woodcut
图片文件尺寸 : 4859 x 3695 px
Karl Schmidt-Rottluff-Frau mit aufgelöstem Haar, 1913.
卡尔·施密特·罗特卢夫-头发散乱的女人,1913年。
图片文件尺寸 : 3198 x 4026px
威廉·特吕布纳的《溶发女孩的头I》-Wilhelm Trübner
Mädchenkopf mit aufgelöstem Haar I--Wilhelm Trübner (德国, 1851-1917)
图片文件尺寸 : 5194 x 5711px
CECILIA EDEFALK:Weeping Birch Stem
2010
bronze and oil paint
65 3/4 by 5 3/4 by 5 3/4 in.
167 by 14.6 by 14.6 cm.
This work was executed in 2010.
盲肠EDEFALK 哭泣的桦树茎2010
材质 : Oil on canvas
图片文件尺寸 : 4859 x 3695 px
Wilhelm Trübner-Mädchenkopf mit aufgelöstem Haar I, Um 1910/1911.
威廉·特吕布纳-散发女孩的头我,1910/1911年左右。
图片文件尺寸 : 4195 x 5913px
北崎胜志的“茎上有三个附加花蕾的大粉红色花朵”-Katsushika Hokusai
Large pink blossom on a stem with three additional buds--Katsushika Hokusai (Japanese, 1760-1849)
图片文件尺寸 : 4984 x 4853px
Robert Rauschenberg:Shoot from a Main Stem, from Suite of Nine Prints, 1979
Screenprint in colors with collage on wove paper, signed in pencil, dated and numbered 90/100 (there were also 18 artist\'s proofs), published by Multiples Inc., New York, with the blindstamp of the printer, Styria Studio, New York, the full sheet, framed.
sheet 30 1/2 x 23in (77.6 x 58cm)
罗伯特·劳森伯格 从主茎拍摄,出自《九幅版画组曲》
图片文件尺寸 : 4188 x 3662px
“以茎上的小叶子为基础的抽象设计”,莫里斯·皮拉德·弗内伊尔著-Maurice Pillard Verneuil
基于茎上微小叶子的抽象设计--Maurice Pillard Verneuil (法国, 1869-1942)
图片文件尺寸 : 5403 x 5975px
Takashi Murakami:Mr. Wink, Cosmos Ball, 2000
Plastic multiple in colors, with mini compact disc, with the artist\'s embossed stamp (on underside), from the edition of approximately 3000, published by the Norton Family Christmas Project/Cube Company, Ltd., Tokyo, with balancing stem repaired and adhered to base.
height 10 1/2in (26.7cm)
村上隆 温克先生,宇宙球
图片文件尺寸 : 4851 x 5489px
AN INLAID SLIP-DECORATED CELADON CUP AND STAND:Goryeo dynasty (918-1392), 13th century
The cup modelled as a chrysanthemum with ten curved petals on a flared stem foot, each of the lobes inlaid in white and iron slip with a chrysanthemum spray below an incised band of scrolling foliage just below the rim, the stand with ten petals extending from the raised central cup support, each of the petals also inlaid in white and iron slip with chrysanthemum sprays, all covered with a celadon glaze pooling bright green
With an unassociated wood storage box
5in (12.7cm) high, overall; 5 3/4in (14.6cm) diameter, stand; 2 7/8in (7.3cm) high, cup
一个镶有滑动装饰的青瓷杯子和支架 高丽王朝,13世纪
图片文件尺寸 : 5072 x 4080px
IIZUKA HOSAI II (1872–1934) OR IIZUKA ROKANSAI (1890–1958):A bamboo flower basket
Showa era (1926-1989), late 1920s/early 1930s
Of madake (timber bamboo) with applications of dust and lacquer, worked in diagonal free-style and bundled plaiting and wrapping, signed on a cross bar on the base Hosai Sanjin (Hosai the Recluse); with an otoshi (water container) formed from a stem of bamboo and cut with vertical striations
11 1/2in (29.2cm) high
IIZUKA HOSAI II(1872–1934)或IIZUKA ROKANSAI(1890–1958) 竹篮昭和时代,20世纪20年代末/30年代初
下载IIZUKA HOSAI II(1872–1934)或IIZUKA ROKANSAI(1890–1958) 竹篮昭和时代,20世纪20年代末/30年代初大图
图片文件尺寸 : 4036 x 3791px
TOSHITOYO (ACTIVE 19TH CENTURY) AND SARATANI TOMIZO (BORN 1949):A gold lacquer four-case inro and matching ojime
Edo period (1615-1868) or Meiji era (1868-1912), and Showa era (1926-1989), 20th century
The inro with a kinji ground decorated in gold and and slight-colored hiramaki-e with a bamboo grove, some of the leafy stems waving as if stirred by a gentle breeze, the interior plain black lacquer, signed in gold lacquer Toshitoyo with a kao, fitted with a gold lacquer tubular ojime lacquered in green hiramaki-e with bamboo, signed Tomi
3 1/4in (8.2cm) high
TOSHITOYO(活跃于19世纪)和SARATANI TOMIZO(1949年出生) 金漆四格,与明治时代和昭和时代相匹配,20世纪
下载TOSHITOYO(活跃于19世纪)和SARATANI TOMIZO(1949年出生) 金漆四格,与明治时代和昭和时代相匹配,20世纪大图